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The Acoustic World of Early Modern England: Attending to the O-Factor

Bruce R. Smith




[PDF.hf97] The Acoustic World of Early Modern England: Attending to the O-Factor

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 | #1775140 in Books |  1999-04-15 | Original language:English | PDF # 1 |  9.00 x1.10 x6.00l,1.17 | File type: PDF | 400 pages

||2 of 2 people found the following review helpful.| how did the plays and ballads sound?|By W Boudville|Smith has resurrected for the reader many of the ballads of Middle English [ie. around Shakespeare's time]. Many of these are easily comprehended by the modern reader. Even if you haven't read Shakespeare or Milton lately, the meanings of the ballads comes through very clearly.

But, as the title indicates, he also p|From Library Journal|Smith (English, Georgetown Univ.) offers a provocative evocation of the world of sound in Shakespeare's England. Drawing on a wide range of primary sources as well as insights from aspects of modern scholarship as diverse as cultural studies

We know how a Shakespeare play sounds when performed today, but what would listeners have heard within the wooden "O" of the Globe Theater in 1599? What sounds would have filled the air in early modern England, and what would these sounds have meant to people in that largely oral culture?

In this ear-opening journey into the sound-worlds of Shakespeare's contemporaries, Bruce R. Smith explores both the physical aspects of human speech (ears, lungs, tongue) an...

You easily download any file type for your device.The Acoustic World of Early Modern England: Attending to the O-Factor   |  Bruce R. Smith. I really enjoyed this book and have already told so many people about it!

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