[PDF.43go] Impersonations: The Performance of Gender in Shakespeare's England

Impersonations: The Performance of Gender in Shakespeare's England

[PDF.vo55] Impersonations: The Performance of Gender in Shakespeare's England

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 | #1981202 in Books |  Cambridge University Press |  1996-03-29 | Original language:English | PDF # 1 |  8.50 x.43 x5.43l,.56 | File type: PDF | 196 pages

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||0 of 0 people found the following review helpful.| interesting thin read|By HopefulConsumer|not a story -- but an interesting historical survey of gender-bending. some fascinating, some not so much. not intended as comprehensive. a good quick read.|1 of 2 people found the following review helpful.| Does it answer the question?|By Katarina Karlsson|The aim of the book is to g| |"...the book is highly recommended for theater history, literature, and gender-studies collections. Detailed endnotes include many useful bibliographical references." J.W. Lafler, Choice|From the Back Cover|Why was Eng

Why was England the only country in Europe to maintain an all-male public theater in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and society. At once provocative and witty, lucid and stylish, Impersonations will reshape our understanding of the Renaissance theater, and make us rethink our own inadequate categories of gender, power and sexuality.

You easily download any file type for your device.Impersonations: The Performance of Gender in Shakespeare's England   |  Professor Stephen Orgel. Which are the reasons I like to read books. Great story by a great author.

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